NEXT ON NCIS
16x01 - Destiny's Child - One month after Director Vance was kidnapped, Gibbs is assigned the role of acting director in his absence while the team searches worldwide for his whereabouts, on the 16th season premiere of, NCIS
Tuesday September 25th, (8:00-9:00 PM, ET/PT)

Posted by Admin on October 8th, 2013


EXCLUSIVE: With NCIS continuing to reign as the most watched scripted show on television and getting ready to spawn a spinoff series, the man behind both, Gary Glasberg, has been signed in a new overall deal by NCIS producer CBS TV Studios. Under the two-year extension that runs through May 2016, Glasberg will continue as executive producer and showrunner of flagship NCIS and of its proposed planted spinoff, which will be introduced in a two-part NCIS episode slated to shoot in February and air in the spring. He is writing the New Orleans-set offshoot and is executive producing with NCIS star/executive producer Mark Harmon. Glasberg called the experience working with CBS’ Leslie Moonves and Nina Tassler and CBS Studios’ David Stapf “amazing”, adding “I look forward to continuing to work with my NCIS family and can’t wait to dive in to what lies ahead,” Glasberg, repped by CAA and Michael Gendler, joined NCIS in 2009 and took the reins as showrunner two years later. NCIS closed out the 2012/13 season, its 10th on the air, as the most watched program on TV for the first time, with an average of 21.60 million viewers, edging Sunday Night Football (21.00 million). So far this season, the veteran drama is the most watched scripted program on TV in Live+same day and also ranks among the top 10 U.S. series in a number of international markets, including Canada, France, Italy as well as Australia, where it is in the Top 3.

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Posted by Admin on October 8th, 2013


As CBS’ NCIS continues its 11th season (tonight at 8/7c), the tweaked opening credits may lack a certain “kick,” but the song remains the same, as Leroy Jethro Gibbs and his team of agents — minus Cote de Pablo‘s Ziva David — go about doing what they do best. Showrunner Gary Glasberg shared with TVLine a look at certain reactions to the squad room shake-up and previewed new stories to come. Plus: an exclusive peek at a bittersweet Abby/McGee moment.

TVLINE | As the show returns, will much time have lapsed since Tony said goodbye to Ziva?
It’s a few days after Tony’s return from Israel — a literal week, because we try to play things in real time.

TVLINE | So, her absence is hanging in the air?
Oh, it’s very present. It’s a big part of quite a few episodes. You’ll see glances and references to the empty desk, but at the same time we try to get back to the fun and the humor and the lightness and the banter of the squad room — all the things that people like about our show. But we’re not hiding from it, it’s acknowledged.

TVLINE | When last I spoke to Michael Weatherly, he was quite excited about where he sensed Tony was going after this. What can you say about his story moving forward? Has Tony changed?
Yes, I think Tony has changed a bit. He’s matured. He’s experienced a loss in his personal life, and I think it’s going to affect how he moves forward. It’s certainly affecting how we as writers are handling him. He’s still very much Tony — he still cracks a joke and lights up the room with a smile and has some fun, but there’s also a seriousness. There’s a step forward that has happened, and I don’t think we’re hiding from that.

TVLINE | Who would you say is second-most affected by Ziva’s absence?
That’s an interesting question…. I think Abby certainly feels it. Ducky comments on it. McGee certainly feels it….

TVLINE | Gibbs seemed to dread taking her phone call….
The interesting one for me is Gibbs, because I think he really does feel it, but in classic Gibbs fashion, he’s not going to show it. That’s the challenge of writing to it, and that’s the brilliance of Mark Harmon as an actor — how do you show that beneath the surface and not have someone come out and say what they’re feeling?

TVLINE | New opening credits, I assume?
Yes, a different main title sequence. That was an interesting process, as well — emotional and challenging. But yeah, a little different.

TVLINE | Is Benham Parsa the Season 11 big bad you told me about at summer TCA?
[That threat] is significant and it will pop back up again. It’s going to mean something. And I think it represents interesting stuff that’s happening in our world. As we move into what I call the “more traditional” episodes of the show, just be aware that he’s still out there. He will end up on the Most Wanted wall.

TVLINE | What else is coming up?
You’ve got this [week’s] “Under the Radar” episode, which is kind of a “reset” for us. That’s where Roma Maffia (Nip/Tuck) has this fun stint as a retiring agent who helps us out in the squad room. In the episode after that, Muse Watson comes back as Mike Franks, in a really emotional storyline for Gibbs. Those are all flashback scenes, and they’re really nicely done. Lolita Davidovich (Blaze) is also in that episode. After that, you’ve got Tony’s return to Baltimore, for some more insight into who he was — even before he became a detective.

TVLINE | What precipitates that?
There’s a crime that comes up that “connects the dots” a little bit and brings up some memories, and honestly revisits a whole bunch of things. Again, I’m really content with the slow build of getting back on our feet after [Ziva’s departure]. And then coming up in November, we’ll introduce everybody to [Ziva’s potential replacement] Ellie Bishop.

TVLINE | Some fans worry Bishop will be just a “female McGee.”
That was because there was a line that either I or someone threw out there, that described her in a specific way, as being… I forget what the phrase was. But she’s not [like McGee]. Emily Wickersham is a terrific actress and she’s going to bring a whole new spin and life to this character. That episode starts prepping next week, and I think she’s going to bring something fun to this group.

TVLINE | Lastly, were you relieved to see ABC’s Agents of S.H.I.E.L.D. not ding your numbers much at all? Was that on your mind?
It’s funny — every season, this stuff comes about and I’ve learned that all I can do is focus on the shows that I make. Especially this season, more than ever. Season 11 wasn’t supposed to have all the bumps and curves in the road that it has, and I’ve focused on making the best show that we can make. Whatever unfolds elsewhere, that just happens. There’s not much I can do about it.

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Posted by Admin on October 7th, 2013


“NCIS” returns on Tuesday night minus long-time team member Ziva David (Cote de Pablo), and the special agents have to put their emotions aside and get back to the business of solving crimes involving the military.

While no one can take Ziva’s place, Vera Strickland (Roma Maffia) joins the “NCIS” team Tuesday for an episode that requires the team to rely on Twitter for a case involving a missing Navy lieutenant.
Record Series

“One of the ideas we had was introducing a character on the verge of retirement, who Gibbs [Mark Harmon] has history with, and she steps back in and helps on this one last case before she is done,” executive producer Gary Glasberg told XfinityTV.

Then things get complicated for McGee (Sean Murray), who has lost his NCIS credentials, and withholds the information from Gibbs and the authorities.

Glasberg also opened up about why Ziva’s exit was handled the way it was, why there were no bedroom scenes between Tony (Michael Weatherly) and Ziva, and a special upcoming Christmas episode, featuring NCIS Director Leon Vance (Rocky Carroll).
Watch last week’s episode of “NCIS,” featuring Cote de Pablo’s final farewell:

XfinityTV: It was interesting. I thought Ziva’s final episode would boost the show’s numbers, but not so much. Did that surprise you?

Glasberg
: The fact that we did 20 million people and our DVR number will go up another 2 or 3 million after that, I am not going to scoff at that in any way. It is extraordinary. It is remarkable. Our Facebook friends are now up to 17.5 million and change. I am just happy that we are doing what we are doing and continue to be as successful as we are.

I was surprised that you didn’t use Ziva more in these last two episodes. She was really only in the final half-hour of Episode 2.

I have said before, too, the first episode was in flux for quite a while. I wasn’t planning on her departure, so when I got the call that it was happening, I basically had to take the Gibbs story, the sniper story, and the terrorist story that I was already playing with and then add this whole other element of Ziva’s departure on top of it. I knew I couldn’t do that in one episode. So that is how the two-parter came about.

In the planning of it, because we were already starting to be in prep for the first one, there were tricks and things we had to do in order to incorporate Ziva’s character because I literally didn’t have her. So that is why you got texting and instant-messaging to make her a part of the episode [instead of her being] onscreen.

I knew that we were going to have her significantly for the second one, but the reason that you don’t see her significantly until the second half of the second one is that I wanted to give Tony the time to search, to really invest in looking for her. I felt like the audience really needed to feel what he was feeling. That was our decision for structuring it the way we did.

I think, for me, I wanted to see them more intimate — like a bedroom scene — not just a kiss. Of course, they spent time together and who knows what they did, but I wanted to see it. Why did you decide not to take it farther?

I am a big believer in less is more and let people’s imaginations run wild. Whether it is a moment of intimacy, or imagining what that conversation was at the end of the episode, we have an amazing fan base who follows the show. So, I think every person out there has an idea of what that conversation would have been. I was very happy with the idea of letting people imagine for themselves.

That said, will we ever find out what Ziva said to Gibbs on their phone call?

No. Like I said, let people have their own idea of what that conversation was. That is between Gibbs and Ziva. I like the idea [of letting] people think for themselves a little bit.

So, now we’re back to business as usual, and I see that Roma Maffia is joining the team on Tuesday’s night episode. How long will she be staying and what affect will she have on the team?

Roma came and just did one episode with us, the idea being that there are a number of episodes following Ziva’s departure, where, as we are dealing with her absence and as we are dealing with that empty desk in the squad room, we are also experiencing and returning back to a lightness and fun and all the reasons why people like to watch “NCIS.”

Roma was fantastic. Then that goes on for another few episodes, where we have some fun and have some guests who come through, like Agent Borin [Diane Neal] from the Coast Guard. It is a fun assortment of characters that will, hopefully, help us reset and get back to the traditional reasons why we watch the show.

This episode seems to be geared more for McGee what with Twitter and his lost badge. Is the focus on him and why is the lost badge so important? Is it how he lost it? Or maybe the fact that he had resigned not too long ago?

“Under the Radar” is the name of the episode. It is not really a McGee-centric episode. He plays a big part in it, but it is really about resetting our team and getting back to the stories that we like to tell. The badge storyline is true. It is not a good thing to lose your creds. You don’t want to lose your credentials as a federal agent. If those are out in the ether, if those are found by someone, they can enter buildings. It gives them access to things people shouldn’t have. When you misplace your creds, it is a serious, significant issue. We have known about that for a long time and we wanted to have some fun and tell that story. So that is where it came from.

The team is kind of shell-shocked. Vance lost his wife, Ziva is gone. Are we going to see the emotional ramifications of all these things through the entire season? Or is it back to basics?

People have a job to do. There is a terrific scene coming up in Tuesday’s episode, where Gibbs says just that: “There’s work to be done.” They’ll get back to the cases, of course, but the realities of what they’ve been dealing with will continue. That includes a really terrific Christmas episode that is coming up, where we will revisit everything that Vance has been dealing with in his personal life with his kids and figuring out how he is getting his life back on track after the loss of his wife. Those things are still present. Just as we always do, we will step away and handle whatever situation comes up.

The “Under the Radar” episode of “NCIS” airs Tuesday, Oct. 8, at 8/7c on CBS.



Posted by Admin on October 4th, 2013


I liked the new IT guy, Murray, who was in the NCIS Season 11 premiere. Will we see him again? –Kathi
“You actually will see Murray again,” Glasberg reports of Will Harris’ character. “He turns out to be a lot of fun. We’ve enjoyed him.”

Source



Posted by Admin on October 4th, 2013


For now, NCIS has bid farewell to Ziva David.

After Cote de Pablo abruptly decided to leave TV’s most-watched drama this summer, producers had to find a way to tie up Ziva’s narrative in short order. The result is Tuesday’s episode, in which Ziva’s will-they-won’t-they partner-in-crime-solving Tony DiNozzo (Michael Weatherly) goes to Israel to find her. Once he tracks her down, he begs her to return to Washington with him, but to no avail. She leaves him on the runway with a tearful goodbye and a long kiss.

How will Ziva’s exit affect Tony, Gibbs (Mark Harmon) and the rest of the team? Is there a chance for her to return? And why was her exit arc so, well, Ziva-less? TVGuide.com turned to executive producer Gary Glasberg for answers.

I think many people were surprised by the lack of Ziva in this two-parter. She didn’t appear at all in the premiere episode. What happened there?
Gary Glasberg:
We had to really step back and change what this opening was going to be. We didn’t see this coming, and part of the restructuring of this story line included sending Ziva off to Israel and Tony going after her. I think a lot of what people are reacting to in that first episode is honestly just the fallout. [There was] an uncertainty of the cards that we were dealt as writers and producers trying to make the show work. I’ll absolutely admit that having them instant-message and text was something that we needed to do because that was all we had to work with.

How did you decide on this ending for Ziva’s story? Was there ever any part of you that considered, as the show has done with other major characters, killing her off?
Glasberg:
Like you said, the show has a history of doing that to characters upon their departure. I thought that Ziva deserved better than that. And this was an emotional thing off-screen and on-screen. We wanted to do this properly. Hopefully, [it will] give the fans what they’ve been waiting for, and let these two characters part ways in a satisfying manner. I like the idea that — specifically in terms of Tony and Ziva, how they connect and the romance that exists —she’s still out there. For me, that really pulls at the heartstrings, and that was part of the decision as well.

How much does it weigh on Tony that he wasn’t able to convince Ziva to come back to D.C.?
Glasberg:
I don’t know if it weighs in a negative way, but it certainly resonates. There’s a lot going on with Tony, and that’ll continue as the season progresses. This really moves him forward in an interesting way. It acknowledges what that relationship really was and leaves the door open for what’s next for him. He has to figure some things out for himself, and there’s a maturing that’s going to happen for Tony. I’m not saying that we’re not going to see light moments for Tony DiNozzo anymore, but at the same time, he’s moved on. It’s on to the next chapter.

Will we see Tony dating again or do you think he will still pine for Ziva?
Gary Glasberg:
We’re really trying to handle this as realistically and organically as we can, and in the real world, it takes time to recover. It takes time to figure out what you want next in your life, and very often, the next person comes at the moment that you least expect. Is there anything that’s going to happen in the immediate future? Absolutely not. Tony just went through a lot, and has a lot to think about, and then we’ll be getting right back to work. Gibbs is going to want his team back together, and it’s time to focus on the work of NCIS.

I’m sure fans appreciated that kiss on the runway. But since Tony lied to Gibbs about when he actually found Ziva, are we to assume they were shacking up for a while?
Glasberg:
I don’t necessarily feel like it was weeks or months. It may have been a couple of days, but we never really specifically say. I think it’s clear that Tony and Ziva had some things to figure out on their own. Was it appropriate for them to keep that from Gibbs? Many of us believe Gibbs knew. Gibbs knows everything. He may have, and he may have recognized that they needed some time to themselves.

Speaking of Gibbs, what do you imagine Ziva said to him in the phone call that we saw but didn’t hear?
Glasberg:
That was a very deliberate decision on our part. We would like to believe that every viewer and fan of the show has their own idea of what that conversation is, and I’m not going to even begin to try to second-guess for everybody what Ziva David would say to Leroy Jethro Gibbs in her farewell. I like letting everyone decide for themselves and savor that moment.

How much of an impact does losing Ziva as a team member have on Gibbs?
Glasberg:
It means a lot. The fantastic part of Gibbs as a character is that he’ll never really tell you how he feels. Those emotions are there, but he may not let you see them. And when he does let you see them, it’s going to happen at a time when you least expect it and it’ll happen without words. You’re not going to hear from him how he feels, but hopefully you’ll feel it.

And the rest of the team?
Glasberg:
It’s very much a family. Ziva’s departure affects all of them, and they all comment on it. It resonates with all of them, and they all have different views on things and that’ll get discussed, especially in the first couple of episodes without Ziva. But there reaches a point, too, where people have to regroup and they have to re-focus. If anybody’s going to make that clear, it’s going to be Gibbs, because that’s the way he lives his life.

You’ve stated before that there’s no replacing Ziva, but what can we expect from the people who will be sitting at her desk in the coming weeks?
Glasberg:
In the next episode, we have some fun with Roma Maffia. She plays an agent on the verge of retirement who adds a unique energy to things and a lightness, and we have a terrific time with her. You’ve got Agent Borin [Diane Neal], a Coast Guard agent who comes back and fills that void in a really interesting, fun way. You’ve got McGee’s new flame, Delilah [Margo Harsman], who steps up in one scenario and participates more. We have some fun with some guests, and I’m really excited about that, and I think it works really nicely. And then we get to November, and everyone gets to meet the NSA analyst, Eleanor Bishop [Emily Wickersham]. I’m really excited about what she’s going to bring to this character, and we have big plans.

NCIS airs Tuesdays at 8/7c on CBS.

Source



Posted by Admin on October 3rd, 2013


When all was said and done (and being watched by 20 million viewers), NCIS showrunner Gary Glasberg says he was “very pleased” with how longtime cast member Cote de Pablo‘s final episodes unfolded. That said, there were wrinkles to be ironed out as he rejiggered his original Season 11 launch plan to accommodate this important goodbye, sprung on him, as it was, late in the process. Here, Glasberg answers TVLine’s burning questions about Ziva’s exit.

HOW DID COTE DE PABLO’S EXIT CHANGE THE ORIGINAL SEASON 11 PREMIERE STORYLINE? | Most simply said, “There is no comparison,” Glasberg asserts. “My intention was to pick up where we left off and tell the story of Gibbs and where we left him, with the sniper rifle, and set up some of the Parsa/terrorist storyline that is going to follow through this season.” Once it became clear that the actress and show would be parting ways, Glasberg says, “I realized very quickly that we couldn’t [write Ziva out] in one episode — there was no way — and do it properly, and that’s why it turned into a two-parter. And that’s why the significant second half of the [Season 11 premiere] became about her.”

WAIT, SO ZIVA WASN’T EVEN ‘OFF THE GRID’ IN THE ORIGINAL VERSION…? | “No, not at all,” Glasberg makes clear. As originally laid out, DiNozzo, McGee and Ziva “all went off and were doing their separate things [during the four-month time jump], and I had a sense of something that I wanted her to be doing. But while she was separated from the group, it was not to the extent that you saw.”

WAS THERE A SECOND TONY/ZIVA KISS THAT DIDN’T MAKE THE CUT? | In the two-part premiere, no. But in an episode from a previous season, Glasberg shares, “There was a kiss that existed at one point that was a last-minute addition to a sequence that never got used. It was something we had toyed with once before. And if there’s an opportunity at some point to dig it up out of the archives, maybe I will.”

DID THE GOODBYE SCENE EVER FEATURE AN OUTRIGHT CASABLANCA REFERENCE FROM FILM BUFF TONY? | Noting the similarities to [spoiler alert] the acclaimed Bogart film’s ending, Glasberg says, “We had been talking about visually what we wanted this to be, and there was a lot of talk about being out on an airfield and putting that plane in the background” — but that’s where the Casablanca similarities ended. “There was some joking about [Tony saying, ‘We’ll always have Paris’], actually. But it was never scripted.”


WHY WERE COTE DE PABLO’S FINAL EPISODES RATHER, WELL, COTE-LIGHT?
| Glasberg says, “I understand that reaction to the first [Season 11] episode,” which did not feature de Pablo at all, “but that was stuff that literally had to be written at a time when there were still issues being figured out. Devices and decisions like having them Instant Messaging each other were put together because I had to.” As for “hiding” Ziva until midway through Episode 2, “We just wanted the story to build and ramp properly,” he explains. “We wanted to feel Tony’s search appropriately, and the only way you feel that is, for a little while, to have him looking for her. To not have him connect with her just yet. The only way we can do that is to have her not be present, and then have her appear when we least expect it.

IS THE PROVERBIAL ‘DOOR OPEN’ FOR ZIVA/COTE’S ONE DAY RETURN? | To that obvious inquiry, Glasberg can only note at this early stage, “”Ziva’s not dead! She’s not dead.”

NEXT WEEK ON TVLINE: Gary Glasberg previews life at NCIS after Ziva, reveals what her successors will bring to the empty desk and weighs in on battling those Agents of S.H.I.E.L.D.

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Posted by Admin on October 3rd, 2013


THE MURDER OF A WOMAN IMPERSONATING A DECEASED SOLDIER LEADS GIBBS TO AN AFGHAN WOMEN’S SHELTER FORMERLY CHAMPIONED BY MIKE FRANKS, ON “NCIS,” TUESDAY, OCT. 15

Muse Watson Guest Stars as Mike Franks

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“Anonymous Was a Woman” – Gibbs and McGee travel to Afghanistan when a murder case leads them to an Afghan women’s shelter Mike Frank’s secretly supported for years, on NCIS, Tuesday, Oct. 15 (8:00-9:00 PM, ET/PT) on the CBS Television Network. Muse Watson guest stars as Mike Franks.

CHEAT TWEET: Gibbs & McGee visit a targeted Afghan women’s shelter following a case tied to Mike Franks’ past #NCIS 10/15 8pm ET/PT



Posted by Admin on September 27th, 2013


NCIS fans may be waiting eagerly/nervously/anxiously for next week’s farewell to Ziva episode, but while the wound of Ziva’s departure is going to be very fresh after next Tuesday, over at the set, they’ve had a few episodes to deal with the shock and are looking toward the future with high hopes. Especially Michael Weatherly, who opened up to me about the upcoming addition of Emily Wickersham as a new agent named Bishop. “We’re excited about is having Emily join us on these little adventures we do every week and seeing how she is in the world that we create together,” he says. “I hope the audience likes her as much as we did right away.”

But to those who are worried about a possible romance between the two, Weatherly assures that’s probably the last thing on Tony’s mind. “I don’t think there’s any chance of Bishop being involved in that in any way. If anything, she would be deeply, deeply off-limits for him,” he says with a chuckle. “It won’t even enter his brain — and that’s another thing. I think she’s going to be very attractive, but I just don’t think DiNozzo will see her like that for even a heartbeat. I think there’s a level of maturity for him. He’s averse to anyone who would sit at that desk, I think.“

Weatherly sees Tony’s maturity shining through in other ways, too, he says, particularly when it comes to the character’s attention-seeking ways. “Here’s a funny thing I’ve discovered: when it’s just McGee, DiNozzo and Gibbs in the squad room, DiNozzo doesn’t really have anyone to perform for,” he says. “Tony just kind of calms down and does his job.” That said, there’s still fun to be had. Proof? There’s a headslap coming. And while Weatherly wouldn’t elaborate, he did call it “a classic moment.”

Source



Posted by Admin on September 26th, 2013


Have you got any scoops on NCIS’ McGee or if we’ll get to see Delilah again? I really loved seeing her with McGee and how she held her own against Abby. –Marla
Thus far, Margo Harshman has shot one additional episode, with the potential for more drop-ins here and there.

Who was the female artist singing at the end of the NCIS season premiere? Sounded like Enya. –Pat
Good ear — that was Enya’s “If I Could Be Where You Are.”

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